Monthly Archives: February 2016

Valerie Atkisson: Family Histories

VA5Valerie Atkisson is an adroit painter, sculptor, and multimedia artist. She often returns to family history themes in her work and she explains, “I wanted to bring life into the raw, vital information that you get from genealogical research.” Atkinsson’s work can be found everywhere from Ancestry magazine to Judaica.com and has been shown at numerous museums and galleries all over the country. She obtained a BFA from BYU and an MFA from the School of Visual Arts in New York City. She lives in Utah.

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Describe your art. I’m a conceptual artist. The idea is paramount and determines the media of the piece as well as size and scope. I have used vellum, rice papers, paperclips, all types of paint and drawing media in my work. The prominent theme of my work over the past 20 years has been family history. I’ve found that some ways are better than others to tell a particular story.

You have traveled extensively in life. What unites the Church across cultures and countries? The belief that this is the restored Church of Jesus Christ.

What have you learned about your own family history as your delve into these projects? The purpose of delving into these projects exactly that: to learn about and to understand my ancestors better. I’ve learned that no one had it better than another. Everybody no matter what time or generation had severe backbreaking and or mentally breaking challenges. They did their best. We may not be able to understand the decisions they made, but looking deeper into the context of the time and their personal history we can understand more clearly. We will never be in their shoes though, so judging them is fruitless. They are interested in us – their posterity. They are pulling (and praying – I believe) for us. They want to be remembered. It does them good and it does us good I don’t know exactly how, but it does.

Visit Valerie Atkisson’s website.

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Jorge Cocco Santangelo: Arte Sacro

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Jorge Cocco Santangelo is an Argentinian painter who also works in sculpture, lithograph, etching, ceramics, and washi zokey (art with handmade paper). His work has been acquired and exhibited at museums in Argentina, Japan, Mexico, Spain, Uruguay, and the United States. He has lived and worked in both Spain and Mexico. He maintains studios in both the United States and Argentina.

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Tell us about becoming an artist. My evolutionary cycle has practically been the same as the art history itself, exploring at least briefly all the main schools and styles until I found the elements to create my own language. That is to say that I started from the more figurative to the more abstract; I started drawing and painting landscapes and the human body, and evolved to a more intellectual work, with no models to copy from.

You once wrote of the Book of Mormon, “I had a strong urge to begin painting the more recognized scenes in the book. This urge led me to observe and internalize pre-Hispanic art on the American continent. This provided an extra benefit in looking for my own artistic expression.” Art is as effective as the spoken language when it comes to convey a message, and I use it as another way of reaching out to more people to declare the truths in the Book of Mormon. I had the opportunity to live in Mexico and there I was in deep contact with the local archeology. I draw benefits for my own art because in the first place, the pre-Hispanic culture has a very unique and rich language and second, I went through a discovery of hidden symbolisms directly related to the Book of Mormon. I adopted certain aspects of the languages of the Olmecs, Mayans, Aztecs, etc., and also I incorporated symbolic elements to my own artistic expression.

Visit Jorge Orlando Cocco Santangelo’s website.

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Images courtesy Jorge Cocco Santangelo and LDS.org. Special thanks to Jorge’s art manager,  Amiel Cocco-Verbauwen, for the translation.

Veronica Olson: Prop Stylist

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Veronica Olson is a talented prop stylist and professional photographer. Olson graduated from BYU and has a sumptuous Instagram feed full of delightful images. Olson lives in New York City.

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Tell us about your work as a stylist. After graduating with a BFA in photography, I started out in New York assisting super talented prop stylist Robyn Glaser. I was lucky to learn from her on set with some of the best photographers in the commercial world, and discover the industry of styling.

While I’m still pursuing photography as well, working in props is really fulfilling. When shooting my own personal work, what I always loved is using objects to tell a story, and arranging various items to form a whole. So prop styling is a natural route for me. I enjoy sourcing props, shopping, collaborating with photographers and art directors, and deciding the visual direction of the image. On a commercial shoot, the stylist can almost have more creativity; a photographer determines the lighting, but a stylist is choosing colors, composition, textures, shapes. This year I’ve had fun jobs for clients like American Girl, Williams Sonoma, Yosi Samra, NBC Today, Gracious Home, Food52. I appreciate that being freelance, it’s something different every time. I could be styling shoes for a holiday catalog one week, and a kids cookbook the next.

I enjoy projects with great clients, food stylists, assistants, etc.; the still life industry is full of nice people, and it’s usually such a collaborative effort. Often photographers can request a certain stylist on a job, and I’m thankful for talented photographers I love working with like James Ransom and Nicole Gerulat, who have helped me grow and accelerate my career.

What’s next for you? For this year, one goal is to focus more on my photography. I’ve sort of put photography on the back burner while being so busy with styling, but I don’t want to abandon that side of my craft. I want to get back into shooting more often, and expand that client base. I’ve heard some detractors say you can’t be both a photographer and stylist, but I disagree. Each helps me be better at the other, and I like being versatile. It may not be traditional, but it works for me.

I have a few exciting commercial projects coming up already in 2016, and a collaboration with StoryKeep photographing family heirlooms. I’m also working on a site called The Family Gathering (@familygathering instagram) to share how relatives create connection to past generations, specifically through art, objects, and documenting family history.

I love New York, so I’ll continue my career here, and look forward to working with talented creatives, expanding my portfolio, and following the Lord’s will. It can be easy to get caught up in business and competition of the industry, but no matter where my career goes, I want to respond with humility, love, and grace.

Visit Veronica Olson’s website.

Follow Veronica Olson on Instagram.

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Travis Hodges: Use Your Brain

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Travis Hodges is a talented photographer, videographer, designer, and self-described ‘professional cartoon watcher’. He has worked extensively in the television and film industry in the Los Angeles area. He majored in Musical Dance Theatre at BYU. Hodges lives with his family in Southern California.

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Tell us your story and how you got into photography. I grew up in a small town just outside of Milwaukee, Wisconsin. Although I haven’t been back there for…a long time. Growing up photography was just a hobby or something you did to put in a scrap book. My mom loved to take pictures, but wasn’t the best at it, but she loved looking at them a reliving the memories. I think I’ve kept that love with me still to this day. I love going back over photos I’ve shot about it now, and enjoy reliving the memories of that photo or video shoot. I truly came to photography just after college. I was working on a television show in the production department at the time and would hang out with the camera department. The camera operator was a hobby photographer and one of the additional camera assistants was a pro photographer. I loved seeing their images. How they captured people or places, the stories that each photograph would tell.

I started asking questions about light, aperture, shutter, composition, and ask them to tell me anything they were willing to share. When I was ready, I asked one which camera system I should get. One of them gave me the best advice, “Camera’s are pretty smart these days. Get the one that feels the best in your hand.” That’s exactly what I did. I went to my local camera shop and tried a Nikon and a Canon. It just so happened that the Nikon camera had an auto-focus on/off button right where it felt natural to hold my thumb, so I went with the Canon and have never regretted it. I bought the Canon Elan 7 along with the Tamron zoom lens. I still have that camera, but sold the lens. I would bring the camera to set with me every chance I got. Every so often the network would send an on-set photographer for promo photos. We became friends and I would drill him about any and everything. With his help I started taking more portraits and doing head shots for friends that were actors. Which is how I got started doing head shot photography.

What is your career like these days? What pays the bills? What allows you to be creative? My career has been interesting. Today there has been a call for people who do stills and motion images. So having a moving images background has helped me. My work staple is still headshots, portraits of bands, and musicians, but I work on projects where we are shooting the stills campaign and a video campaign. I also still assist other photographers. I think one of the things that helps me be and stay creative is helping friends or people I know with their projects. There’s usually no particular pressure to deliver something specific. It’s just about figuring out what you have on hand and making something cool out of that. One of the photographers I really like is Zack Arias. He often says the best piece of equipment you have is your brain- I really believe that. You can get caught up in need to impress by having the latest and greatest equipment, but it’s all fluff. Use your brain and what’s inside you. From that, some of the most amazing things can happen.

Tell us about your project, Fatherhood: Some Assembly Required. Fatherhood: Some Assembly Required is, at the moment, a passion project that my fellow father and friend Larry Davis came up with. Larry is the primary caregiver in his house and I get good amount of time with my daughter. We would talk about how there haven’t been a lot of resources for a modern dad. A place where he could go to for a bit of support or talk about the travails of being a dad. So we decided to make a YouTube channel about our experiences of being dads in hopes of giving other fathers or moms out there a place they can say “Hey my kid does that too!” Somewhere they can know they aren’t alone, and hopefully, laugh about life and raising kids.

Visit Travis Hodges’ website.

Follow Travis Hodges on Instagram.

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Janis Mars Wunderlich: Ceramics

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Janis Mars Wunderlich is a contemporary ceramic master. She was born in Akron, Ohio and received her BFA from Brigham Young University and an MFA from The Ohio State University. She teaches Ceramics and Design at Ashland University. Wunderlich will spend this summer in Dresden, Germany on a residency studying modern and historic techniques of porcelain figurine manufacturing at the Meissen Factory in Meissen, Germany. She is also a Boston-qualifying marathon runner. She was profiled in a documentary Who Does She Think She Is? and The New York Times said of her, “Janis Wunderlich, on the other hand, seems cheerfully adept at managing five children, a husband and a successful career as a sculptor.” Wunderlich lives in Ohio.

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How would you describe your art and your style? My last name ‘Wunderlich’ in German means wonderful in a rare, strange, or odd way. This is how I describe my art; I am trying to capture the beauty, joy, and corresponding strangeness and difficulties of everyday life. I find so many contrasts and dichotomies in family relationships and the seemingly insignificant events of daily living… Just like God tells us: Giving us the bitter so we can recognize the sweet. I am trying to share my very personal narrative in a way that will resonate on a universal level.

You grew up and live in Ohio. I grew up across the river in Kentucky. How has this Midwest upbringing shaped your art? How did it shape your faith? We were the only Mormons in our community. My brothers and I were the only Mormons at school. We were known as THE Mormon Family. We were an anomaly, oddballs… mysterious and in a category all to ourselves. I grew up accustomed to the notion of being completely different from everyone else. I think my eccentric, individual artistic style grew from this upbringing.

You once said, “Being a mother is a deep part of why I have joy.” Explain. I married and began a family when I was very young. This movement from being a child into become a mother happened so quickly and had a huge impact on my identity. Nurturing children became my duty, but more importantly, my entire purpose; providing an indescribable sense of joy. It built me up and exhausted me at the same time (see what I mean about contrasts?!). Now, as my children are growing up and becoming independent, I find my transitioning roles more fluid and mysterious, and I am forced to look deeply into myself to redefine who I am.

Visit Janis Mars Wunderlich’s website.

Follow Janis Mars Wunderlich on Instagram.

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