Jorge Cocco Santangelo is an Argentinian painter who also works in sculpture, lithograph, etching, ceramics, and washi zokey (art with handmade paper). He has worked in a number of styles during his career with a particular strength for contemporary artwork. His work has been acquired and exhibited at museums in Argentina, Japan, Mexico, Spain, Uruguay, and the United States. He has lived and worked in both Spain and Mexico. He maintains studios in both the United States and Argentina. He’s also now on Instagram @sacrocubism. He was profiled previously on The Krakens for his religious artwork.

You are well-known for your religious art. Talk about your non-religious art. In my case, I cannot fully separate modern or contemporary art from religious art. In religious art, the elements purely artistic such as rhythm, composition, color, etc., are unavoidable, but obviously they are there to facilitate the interpretation of the scene depicted. As for my own style, I use those same elements to try to reach for the metaphysics; I try to move the observer into the realm of the transcendent, the spiritual, and its connection with the subconscious. Other series of works that I have created are more symbolic, bringing to mind sacred places with enigmatic constructions for worship. Even in my abstract paintings I include signs seemingly esoteric, marks utilized by ancient cultures during their rituals. In a subtle way I am trying to tell the viewer that there are truths out there to be unveiled, hidden in plain sight.

What’s next for your career? Currently I am working on a commission by the Museum of Church History and Art in Salt Lake City, UT. It is series of paintings about the ministry of Christ. The unusual about this project is that I am depicting the already known scenes in Christian art with a new interpretation, from the perspective offered by modern art schools such as cubism and constructivism. On the other hand, I continue experimenting with materials and techniques such as handmade paper, etching, collages, and what I call “sculpto-painting”, a combination of sculpture and painting, to name a few. One of my permanent purposes is to teach and make art accessible, as a means to refine the human spirit and expose more people to the art world.

Visit Jorge Orlando Cocco Santangelo’s website.

Follow Jorge Cocco Santangelo on Instagram.

Special thanks to Jorge’s art manager,  Amiel Cocco-Verbauwen, for the translation.

Jorge Cocco Santangelo is an Argentinian painter who also works in sculpture, lithograph, etching, ceramics, and washi zokey (art with handmade paper). His work has been acquired and exhibited at museums in Argentina, Japan, Mexico, Spain, Uruguay, and the United States. He has lived and worked in both Spain and Mexico. He maintains studios in both the United States and Argentina.

Tell us about becoming an artist. My evolutionary cycle has practically been the same as the art history itself, exploring at least briefly all the main schools and styles until I found the elements to create my own language. That is to say that I started from the more figurative to the more abstract; I started drawing and painting landscapes and the human body, and evolved to a more intellectual work, with no models to copy from.

You once wrote of the Book of Mormon, “I had a strong urge to begin painting the more recognized scenes in the book. This urge led me to observe and internalize pre-Hispanic art on the American continent. This provided an extra benefit in looking for my own artistic expression.” Art is as effective as the spoken language when it comes to convey a message, and I use it as another way of reaching out to more people to declare the truths in the Book of Mormon. I had the opportunity to live in Mexico and there I was in deep contact with the local archeology. I draw benefits for my own art because in the first place, the pre-Hispanic culture has a very unique and rich language and second, I went through a discovery of hidden symbolisms directly related to the Book of Mormon. I adopted certain aspects of the languages of the Olmecs, Mayans, Aztecs, etc., and also I incorporated symbolic elements to my own artistic expression.

Visit Jorge Orlando Cocco Santangelo’s website.

Images courtesy Jorge Cocco Santangelo and LDS.org. Special thanks to Jorge’s art manager,  Amiel Cocco-Verbauwen, for the translation.