Joshua Baird: Animal Facetime


Joshua Baird is an oil painter whose primary subjects are the animals and landscape of the Southwestern United States. His stunning series Facetime was created for the Best Friends Animal Society. Baird is a former high school teacher and he  holds two degrees from Southern Oregon University. He lives with his family in Southern Utah.

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Talk about your series FacetimeFacetime was a solo exhibition I did as a fundraiser for Best Friends Animal Society. BFAS is the largest no-kill animal sanctuary in the United States.  It’s located in a beautiful canyon North of Kanab, Utah. They mostly focus on adoptions of cats and dogs, but they also have departments for rabbits, wildlife, birds, pigs and horses. My wife, Tara, works with the large domestic animals at BFAS. I decided to take a break from painting landscapes, my predominant subject, to do portraits of these 4-legged characters. I was interested in the forms and textures of their faces; but more than that, I was interested in getting to know them personally.

We’ve been conditioned to view domesticated animals as a source of food, clothing, transportation and other products. Facetime is about looking into the eyes of these animals and connecting with them at a deeper level.  There is a side to these animals that is often overlooked,  a depth to their gaze that is deep and mysterious.  Their world is simple, but not vacant. I used this John Muir quote in my artist statement to illustrate this idea: “Any glimpse into the life of an animal quickens our own and makes it so much the larger and better in every way.”

Describe your creative process. Best Friends staff generously drove me around the property and introduced me to the different animals. I brought along my sketchbook, but soon learned it was mostly worthless. Capturing these animals’ faces in pencil or paint is almost impossible. They don’t hold still, and they’re not interested in people who aren’t feeding them. I ended up using video to help me find the best lighting and poses. Apart from the difficulty of the task of collecting reference imagery, I loved spending time with the animals and later capturing what I experienced in paint.

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